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B. invited me to dinner and we talked about a lot of things, practice, food, the weather, life in general and we discussed photography and blindness. She said she wanted to write about my work as a photographer. It’s part of the work she is doing, in disability studies and perhaps it’s also about her own desire to pursue her art more, or more methodically. With L. I’m in the midst of preparing for a show in september and a lot of things surface in that preparation but blindness isn’t one of them. B. and I talked a bit and she showed me a (completely inaccessible but for a few token pages of braille, also inaccessible to me) book on “blind photography”. Blind Photography as it’s called. That was slightly in vogue around 2008, when I was investigating my own practice as a photographer in connection with blindness. Indeed I exhibited because I was once a Blind Photographer too. In my development as an artist it was territory I had to explore: there was only backward or forward if I wanted to remain a photographer and I chose forward. But since then, sound  and music became more important in my work, I went full circle from exhibiting prints through doing installations back to showing prints. Blindness lost its significance in what I do. To such an extent that now that I’ve finally found a camera that allows me to maximize my visus, E. remarked that it was as if I could “see again”. And I guess, as a photographer, I do. Much of what I did with cameras had the objective of being able to drop or at least temporarily suspend the visual impairment. 

Because, what is it that a photographer sets out to do? It is to be a window and a mirror both. Can a photographer who can’t see their own output or who can’t properly see what they’re photographing be both a window and a mirror? A window, yes and this is perhaps the source of the fascination that Blind Photography holds. If blind people could see what would it be that they see? Well, they make the photographs to prove it. To B. I said that it’s almost as if it’s become an artistic industry in its own right, Blind Photography. And in this industry there is exploitation: exploitation of the photographers who need promoters and agents to have their photography noticed: as fascinating novelty, as philosophical interpretation, and least of all as art. In my own work, blindness has stopped being the subject of my work and it has even stopped dictating the form my photography takes. I also said: “I think blindness has made me a better photographer”. I do believe that, I do believe that blindness has made it possible for me to cut “seeing” at the root. Just like the visual cortex processes all sensory inputs, and outputs this in terms of vision, so I use all sensory inputs and process non-visually, even if what is shown at the end of the day is a print on the wall. In a previous show, one of our capping phrases as a studio was: “What do I have to show you? There is nothing to see.” And this is indeed the truth that dawned on me: “there is nothing to see.”

Posted at 5:32am.

E. dying, Y., a dharma brother called for advice on the son of a friend and neighbour who is dying in hospital. It’s a life phase, I thought, a time after forty in which we move ever closer to death, if only because the people around us start dying in increasing numbers. There’s not nearly enough corpse practice in our lives. There used to be more, in former years. Families with large numbers of children were also bound to grieve a large number of deaths. You would have seen siblings die, your grandparents, your parents even within a short span of years. Now, the experience of death is both more rare and more infrequent and it’s seldom we can be at someone’s deathbed for more than a few times in our lives. 

Death, as it approaches cautiously but inexorably to strip away all superficiality until only the essence remains, is unwelcome at first, then a saviour. I explained the stages of death to E., pointing out the physical and mental sensations that she would feel, carefully detailing how the life-force would retreat from her body, step by inevitable step. What struck me is how impressive death is, how natural and commonplace the process of dying is. And I reflected on the blessing of a solid practice that fully embraces the process of dying.

Posted at 2:31am and tagged with: dharma, death, dying, bardo, transition,.

The last few weeks I’ve been mainly teaching about daily practice

This teaching will be in text as I’m on a low bandwidth connection and let me start by wishing you all a very good year. A few weeks ago I started teaching again, slowly, slowly, getting into the groove again and I kind of started out just talking about practice, probably for want of a subject I truly master, but actually I feel that talking about practice isn’t done often enough because we’re all on the path, all practicing, and yet we can also be terribly lonely in our practice, and full of doubt and guilt. Feeling we’re doing it wrong, or not often enough. So I toyed with the idea of naming this series “everything you wanted to know about practice but were afraid to ask” and so actually, I thought I’d sit here to answer anyone’s question about their practice. There’s only a few rules: a question needs to be about your practice no general ideas, just what you run up against in practice but within that space: anything goes, really. But please remember, I ‘ll answer within the context of my lineage, which is the tibetan nyingma lineage, handed down through Dilgo Khyentse Rinpoche, among others

Darlok: Lodro, I have been to a place of pure love… It was indescribable bliss and ecstasy which words cannot fathom. I saw myself as a reflection of all that is.. And all that is/was Love.

Lodro: And after that, what happened?

Darlok: i came back and wept

Lodro: and now?

Darlok: I have only experienced this state for a few seconds. It was after I came to a self realization that God = Love and Love = God. it was not in a state of sleep.

Lodro: yes, so that moment is in the past

Darlok: yes, what happened was..

Lodro: what’s your question?

Darlok: what was that place?

Lodro: if you practice, even if you practice only a little, sitting down to meditate even if it’s just a few minutes a day but you do it regularly, that practice in itself is so powerful that it gives you glimpses of what we call the natural state. You might say it is experience without framing it in language: just being in that state, you’re connected to the entire universe, because we’re made of the same stuff right down to the atom. But when you’re starting out on the path, or even further on, a glimpse is all you ‘ll get. However, in such an instance, you experience the enlightened state, but only briefly because you catch yourself experiencing of course, then language kicks in and you separate between this and that and so that experience of unity ends. However, if you keep practicing you’ll find that your glimpses will happen more often and will be longer and will happen off the cushion more often in your everyday life and also that enlightenment, that feeling of connectedness actually means being compassionate towards all mother-sentient beings.

meme Plutonian: lama i felt it only once for a very short time

Lodro: yes, it may happen once or more often.

Tashi Aura: we may have it throughout the day and hardly notice it because it is so brief Lodro: key is to realize that that state is always there; has always been there, will be always there whether “we” experience it or not.

meme Plutonian: I experienced it very brief and I’ve been trying to get it back since

Lodro: yes, and the trouble is in the trying because it is only an experience it is not the objective of our practice so my advice would be to let go of trying but just to rest in your practice. Just rest and accept everything the practice brings you

meme Plutonian: just “let it be?”

Lodro: yes, just rest, accept not only moments when you think the practice was really “good” but also days, on which you think the practice went “badly”. There’s a story about Patrul Rinpoche: when someone asked him exactly how one could recognize one’s true nature, enlightenment, because this person was very dissatisfied with his practice, Patrul Rinpoche then said that the true nature is also there in the “i’m not getting it, it’s not working”. So, just rest. Actually i advise a lot of people not to over-practice, as in “trying awfully hard”.

Darlok: is that state of oneness only possible through meditation? because i do not meditate.

Lodro: no, you can have it washing dishes, chopping wood, riding a bike, while running. Great openings all come in experiences of the ordinary because that is when you see how miraculous the ordinary actually is. But in all cases, “you” step sideways and you just let things in. It’s that Leonard Cohen song: Anthem “there’s a crack in everything, that’s how the light gets in”

Darlok: can that state of being occur while a human still possesses hatred within his heart/soul?

Lodro: yes, it can because at such a point in time it’s still all relative; relative compassion and realizing the true nature is beside any morality, because it is a-moral. I guide people on wilderness retreats, and I often tell them: “the forest doesn’t care whether you live or die”; and that’s true: it doesn’t care, it is a-moral, so the mainstay of any practice is actively raising compassion.

meme Plutonian: raising compasion?

Lodro: yes, always, bodhicitta, the mind of enlightenment.

Georgina Acker: I always hear people talk about bliss, but in my practice there is a lot of struggle

Lodro: yes, and there is bound to be. that’s the reality of my practice too. And i guess that’s why we call it practice, because we don’t have to be perfect doing it. And again, I would say: rest, also in the struggle you experience because the true nature is there too and you as a pure being are there too, practicing.

meme Plutonian: lama, rest like in take it easy?

Lodro: no, rest as in accept the struggle while still struggling.

Darlok: thing is Lodro.. right before i had the Blissful experience.. I lost my eyesight and saw inside my heart.. (my heart) and a face of mist formed itself next to it.. and then it blew this cool breeze of air inside my heart

Lodro: yes Darlok: and i heard the breath!.. and when that breath entered my heart.. it opened it completely.. and in a split second i was in Paradise

Lodro: yes and then it was gone

Darlok: yeah

Lodro: i would say, don’t grasp that experience, trying to get it back

elfbiter: How much the feelings that emerge during practice are based on what one expects to experience?

Lodro: elfbiter, countless feelings, no doubt. In chöd practice we learn to give up the fear of failure and the hope of success both and people have trouble especially with the latter also because we have been culturally conditioned to bank on attaining success. but here the advice too: let go of that.

Darlok: I have immense hatred for a certain entity which is dead yet alive .. and need to work on that

Lodro: Darlok, practice is a way to handle the reality of grasping and of distinguishing between: this I like, this i hate. this i want, this i don’t. Accept it all as a fact of practice, it’s all one taste.

Tashi Aura: sometimes that is difficult: to see the attachment to the pleasant states.

Lodro: easier said than done, I know, but good to check yourself once in a while: am I clinging to the hope of or the expectation of success ? and check yourself.

Georgina Acker: so, take your humanity under your arms and live.

Lodro: exactly, which is also the way to take your practice off the cushion and into the marketplace. And to tashi: i find the advice to let go of everything a bit imprecise. because it’s only the grasp we need to release, nothing more; that’s the bit about overpracticing again, only practice what is necessary. Yes, get off the cushion, but maintain the View

Tashi Aura: I said: but it is also liberating when we manage not to expect anything

Lodro: yes that is liberating, but the practice is also a call to action, to compassion.

Posted at 1:13pm and tagged with: teaching, dharma, practice,.

“This is an age that, by its very nature as a time of crisis…calls for the special searching and questioning which are the work of the monk [and nun and retreatant] in his [and her] meditation and prayer. For the monk searches not only his own heart: he plunges deep into the heart of that world of which he remains a part even though he seems to have “left” it. In reality, the monk abandons the world only in order to listen more intently to the deepest and most neglected voices that proceed from its inner depth.” [Thomas Merton: Contemplative Prayer 23]

Posted at 10:00pm and tagged with: buddhism, dharma, monastic, monk, vajrayana, three column,.

Ganor Rinpoche giving the Kalachakra Initiation

I look back on moments when I was taught the most effectively, and it was always my teachers acting, never words or ideas, or books. My Root Lama guarding suitcases and bags during a teaching tour. He treated everyone as the royalty they were, considering them Buddhas and so being courteous to all and sundry. Or T., who taught me, without words how one can keep people safe from harm. And in my own limited experience as a teacher, I have learned, from E.L., who taught me, that the best teaching is when people teach themselves by emulating you. And that happens most effectively when one can let go of any shame, but teach freely, by only acting. It’s for this reason that in our tradition, which is a teaching tradition, ritual is so very important. I know, that our western, secular skepticism would have it that ritual is akin to superstition. Something for which we need to be ashamed, something from the past or something done by people who are not as advanced as us. It is from this misconception about “buddhism as a rational, secular worldview” that the practice of Mindfulness stems, as it currently being practiced in the West. The question is not: “is this buddhism”? The question is: “is this effective teaching of the dharma”. Or, will it keep people from entering the Hell Realms. I wonder. After all, what is the teaching but merging your mind with that of your teacher, so to have direct experience of an enlightened mind, through someone’s enlightened activity? Enlightened activity. The abstraction here is “enlightened mind”. What needs to be expressed by the student is “enlightened activity”, or all teaching is worthless in freeing sentient beings from suffering. Ritual, “doing things” is the clearest view we’ll have of a teacher’s enlightened activity, her manifesting Dharma in the world. It’s the minutiae that count here. The smallest detail of the gesture with which the Vajra Master blesses you is a blessing in many lifetimes. 

Posted at 3:24pm and tagged with: dharma, ritual, teachers, vajrayana, three column,.